• Visual

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  • 26.Mar
  • A few notes on Marisol
  • Even though we are a few weeks done with New World Arts’ production of Marisol, the marketing created such a buzz (about the actual design of it), that it’s time to talk about it.

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  • Featured: FFW08

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  • 19.Apr
  • Real life stories (and happily abandoned book proposals)
  • (Cross-posted by Allison Graff from Thoughts on Faith and Writing)
    So we just spent three long days talking about stories. We talked about them, we lived them, we thought up new ones to write later. It was good to be with so many others who understand the importance of stories.
    The Festival of Faith & Writing is […]

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Chabon

I have to admit: Michael Chabon was one of the main draws for me to come to this year’s Festival of Faith and Writing. He’s been a huge… not influence, but inspiration, of mine for the last few years. His ability to make heroes of out ordinary people, out of the ordinary in general, I […]

By Danny

I have to admit: Michael Chabon was one of the main draws for me to come to this year’s Festival of Faith and Writing. He’s been a huge… not influence, but inspiration, of mine for the last few years. His ability to make heroes of out ordinary people, out of the ordinary in general, I think speaks to a few of the artistic ideals I hope come through some of my work.

Most of Chabon’s lecture initiated around the search for Home: his own, and the Jewish background he comes from. His story took us through his finding a book, tucked at the bottom shelf of a bookstore: Say it in Yiddish. Among over 13,000 entries ranging from dental care to finding a social security cards, to the subway, he wonders when in history could a collection like this be actually applied to the Yiddish language, or the people who use it.

Chabon finds some sort of sense of home comparing the vast possibilities of a collection of phrases, and the imaginary collection - in Chabon’s head - that would possibly be able to create a world which could use it.

It’s in that space, between perspective and the imaginary, where Chabon finds his home as a genre artist and fictionalist. And his process, much like magical realism, it seems to point to what he needs to get from his work in the gaps between extremes.

Update: I just realized that this is short for the incredible lecture that we just sat through. I think I just need to process this. I’ll post a follow-up tomorrow, so consider this a first reaction.

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  1. […] I’m glad I took a few hours to think about my Chabon post. […]

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Half community writing experiments, half the personal writing space for Daniel Palmer. Always snarky.

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